ALISSA WALLS

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    Untitled, latex, acrylic, tempera, glue, spray foam, plaster, and porcelain on fiber cement board, 105” x 36” x ¼”, 2020.
    Untitled, oil and soft pastel, chalk, assorted sauce, printer’s ink, and wax on paper, 25” x 20”, 2020.
    Untitled, latex, acrylic, tempera, glue, and porcelain on fiber cement board, 60” x 74” x ¼”, 2020.
    Untitled, latex, acrylic, tempera, glue, plaster, and porcelain on fiber cement board, 36” x 60” x ¼”, 2020.
    Untitled, oil on canvas, 72” x 92” x ¾”, 2021.
    Untitled, oil and graphite on board, 36” x 36” x 2”, 2021.
    Untitled, oil, acrylic, and charcoal on fiber cement board, 60” x 74” x ¼”, 2021.
    Untitled, oil and soft pastel, chalk, assorted sauce on paper, 30” x 22”, 2020.
    Untitled (Closed to the General Public), lithographs, 2019 [wooden perimeter sign, United States Naval Base, Atsugi, Japan, c. 1966. Untitled, slideshow of found and collaged film stills, software and hardware, 2021. Credits: Bomber, United States Office for Emergency Management, 1941; The Memphis Belle: A Story of a Flying Fortress, United States War Department, 1944; Duck and Cover, United States Office of Civil Defense, 1951; The Deer Hunter, Michael Cimino, 1979; Mad Men, Matthew Weiner, 2007-15; The Farthest: Voyager in Space, Emer Reynolds, 2017.
    13, CATV Box, 2019-2021.
    Galaxy-Luna 9-Flying Fortress-1975/1966, lithograph, 2019.
    Untitled, oil and graphite on canvas, 2021.
    Untitled, porcelain, glue, latex, acrylic, tempera, oil, and graphite on canvas, 2018-2021.
    The Golden Record, porcelain, glue, latex, tempera, acrylic, and oil on concrete backer board, 2020-2021. Untitled, graphite and Conté on paper, 2018. Untitled, graphite and Conté on paper, 2018. Untitled (Spiral from The Circle Library, 2018), Xerox on transparencies and paper, 2020. Galaxy-Luna 9-Flying Fortress-1975/1966, lithograph, 2019.
    Projection of A Deer Caught in the Headlights and Mercury's Advancing Perihelion, Graphite and Collage, in Untitled, slideshow of found and collaged film stills, software and hardware, 2021. Credits: Bomber, United States Office for Emergency Management, 1941; The Memphis Belle: A Story of a Flying Fortress, United States War Department, 1944; Duck and Cover, United States Office of Civil Defense, 1951; The Deer Hunter, Michael Cimino, 1979; Mad Men, Matthew Weiner, 2007-15; The Farthest: Voyager in Space, Emer Reynolds, 2017.
    Galaxy 1975, lithograph, 2019.
    Untitled, graphite, pastel, and tape on paper, 2018.
    A Sony Color TV, 2018.
    Astronaut Ice Cream, 2019.
    Untitled (44/100 Boxes), 2018.
    The Redcoats are Coming, lithograph, colored pencil, graphite, 2019.
    For Pictures of Average Subjects in Bright Sunlight, Argus C3 Rangefinder aka “The Brick” or, in Japanese translations, “The Lunchbox” [1939-1966], 2021.
    Untitled, graphite, ink, pressed flowers, wax, and collage on paper, 2009.
    Untitled, slideshow of found and collaged film stills, software and hardware, 2021. Credits: Bomber, United States Office for Emergency Management, 1941; The Memphis Belle: A Story of a Flying Fortress, United States War Department, 1944; Duck and Cover, United States Office of Civil Defense, 1951; The Deer Hunter, Michael Cimino, 1979; Mad Men, Matthew Weiner, 2007-15; The Farthest: Voyager in Space, Emer Reynolds, 2017.
    Making it Pretty for Hattie, colored pencil on paper, 2019.
    Untitled, graphite on 2019.
    Untitled, 2019.
    Untitled, 2019.
    Red, Cream, Black and Blue, 2019.
    5' 6", PLA filament, 2017.
    Untitled, encaustic and mixed media, 2018.
    Concrete/Asphalt Platter with Cigarette, porcelain slip with glaze, 3/4" x 11 1/2" x 8 1/4", 2017.
    A Fawn in “the wood where things have no names” (aka “The Michigan Deer”), found steel-reinforced concrete garden statue, 2018 with Little Pink Pyramid, PLA filament, 2017.
    Grid with Porcelain sherds, 2017, with Cabinet with a Partial Archive of Porcelain Slag, Chipped Obelisks, 7”, the Sanded 7” Model for the Original Plaster Cast, and The Complete Collection of Three Glaze Tests, 2018.
    Illiberal Democracy Platter with Duncan Butterfly Yo-Yo, 2017.
    Broken Column (Hobby Lobby), 2017.
    “Especially Cabbages,” For Pierre Bourdieu (What to make of the gold ones?), 2017.
    #digitallatchhook, variable, original 1 7/8" x 2 3/8", iPhone, 2017.
    “Especially Cabbages,” For Pierre Bourdieu (What to make of the gold ones?), 2017.
    7000 Obelisks, 2017.
    7000 Obelisks, Gallery 35' 6" x 20' 6", Porcelain slip, wood table [other materials in exhibition not reproduced here: shelf, bell jar with wooden base, felt, metal chair and writing table, engraved plaque, book, notebook], 2017.
    7000 Obelisks, 7000 Obelisks, Gallery 35' 6" x 20' 6", Porcelain slip, wood table [other materials in exhibition not reproduced here: shelf, bell jar with wooden base, felt, metal chair and writing table, engraved plaque, book, notebook], 2017.
    Tougher, Gallery approx. 10' x 25', Earthenware, underglaze, gold leaf, graphite, leather chaise, wool yarn, wood bowl, ceramic cups, metal desk and chair with felt, notebook, soundtrack, 2017.
    Tougher, 2017.
    Out of gallery

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